The Evolution of the Man in the Marble by Socrates May 26, The artwork, and specifically the sculptures, of ancient Greece were some of the most profound, artistic statements of the human form ever to emerge from society. The dedication to detail, intricacy and exemplifying the beauty of the human body was unmatched at this time. However, like all art, it was a process of slow and deliberate evolution that created the beautiful depictions of the human body that we have all come to love, and the evolution of the man in the marble is just as intriguing as the finished product.
Discovery[ edit ] The statue was excavated in on the Acropolis of Athensamong the " Perserschutt ", the ceremonial dump in which the Athenians buried the debris of sacred artefacts destroyed by the marauding Persian army in BC. It is on display in the Acropolis MuseumAthens,  near the site where it was excavated.
The torso was found in while excavating the foundation of the old museum at the Athenian Acropolis. The head of this statue was found twenty-three years later between the museum and the Acropolis south wall, in the latest stage of the rubble of destruction undergone in the Persian Wars.
This fact, in conjunction with the analysis of its style, is essential to the dating of the statue. The statue moves away from the rigid and stiff pose of the Archaic style. Kritios Boy presents a more relaxed and naturalistic pose known as contrapposto.
This stance forces a chain of anatomical events: The Archaic style relied more on geometrical shapes to define the contours of the human body. The muscular and skeletal structure of Kritios Boy are depicted with unforced lifelike accuracy of flesh and bone, with the rib cage naturally expanded as if in the act of breathing, with a relaxed attitude and hips which are distinctly narrower.
Sculptors had begun to break away from the rules of the Archaic style and follow representation that was closer to nature.
It was created in same era as the Blond Kouros's Head of the Acropolis and the group of the " Tyrannicides " Harmodius and Aristogeiton.
A good example for comparison is the marble statue of an ephebos in the museum in Agrigento. A study in ideal form. The Folio Societypp. Cambridge University Presspp.Sep 09, · Macbeth A comparison of the greek marble statue of a kouros and the roman marble statue of a youth Study Guide has everything .
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Allen J. This course covers principles of literary. One of the Periods of the Greek era (defined on the basis of pottery styles) Earliest standing Greek Temples date from the Archaic Period. (Kouros figure, marble archaic period).
The so-called Sounion Kouros, dated to around BCE, is the first statue that a visitor sees upon entering the Cambridge Museum of Classical Archaeology.
A kouros is a statue of a standing nude youth that did not represent any one indiv idual youth but the idea of youth. Please note that it is an original Greek marble proving that being of marble doesn’t automatically make a sculpture with a Greek theme a Roman copy.
Torso of Aphrodite 1 st century BC after a 4 th century BC by Praxiteles This is a copy of an earlier work, but it was not made by a Roman artist. A colossal Greek statue of Athena that once stood at Piraeus, the port of Athens, inspired a number of Roman copies.
Its name comes from the best-preserved full-length copy, which was discovered at the site of the Villa Velletri, south of Rome, and is now in the Louvre. Shop our Greek and Roman Statues now.
Ancient Greek sculpture represents one of the most influential artistic movements in the history of art.